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You have entered an incorrect email address! An academic has his sleep disturbed by the subject of his research. One deviation from the source material is that the supernatural elements of the story are shown rather than suggested. T he wonderfully barmy Ghosts (BBC One) is back for a second series, and it remains a riot of high-energy slapstick and silliness. Though both of the stories are again M.R James adaptations the connecting factor here, apart from being chronologically accurate, is the inclusion in each story of a certain Dr Black played with a natural and antiquarian snootiness by Clive Swift. Simon Moore reviews Ghost Stories: Classic Adaptations from the BBC – Volume 2… The Stalls of Barchester, 1971. Adam Scovell is a writer and filmmaker currently studying for a PhD in Music at the University of Liverpool. It's difficult to review Ghost Stories without giving spoilers away, so I'll be very careful in what I say. I’ll just drop some hints to my wife... Whistle and I’ll Come to You (1968 and 2010 versions): The Stalls of Barchester / A Warning to the Curious: We’ve all had family gatherings that have gone slightly awry. But despite some rather voyeuristic camera work stalking the protagonists through the cloisters of Barchester Cathedral (actually it’s Norwich), the pace is perhaps a little too gentle, the tension a little too subtle; ultimately, it just hasn’t aged very well despite some good old-fashioned story telling. The Stalls of Barchester is a straight re-telling of James’s original with Robert Hardy as the ruthless Archdeacon who can’t quite wait for his 92-year old predecessor to vacate his position by natural causes. Some time ago, these would have had DVD releases of their own but here they on as extras and fans of British spookiness should feel thoroughly spoilt by this release. Not a problem in itself, but I’m not entirely convinced we want our Christmas ghost stories to be quite that dark. Although we have an engaging performance from John Hurt in particularly world-weary form, along with some extremely atmospheric cinematography, the whole thing doesn’t work anything like as well as it should. This is actually a great shame as Cross’ story of the guilt-ridden protagonist haunted in a desolate seaside hotel would have almost certainly been compelling had it been left at that. And of course, there were those strange BBC traditions, like A Ghost Story for Christmas, when the BBC would deliver a chilling yuletide present for the grown-ups to watch while wrapping the presents. Disappointing remake of The Innocents (The Turn of the Screw). The major problem is the fact that it veers significantly from the original story. Just don’t expect to feel too festive. This was, dear reader, the ‘Golden Age of BBC Drama’; a time when the Beeb could do no wrong; a time when quality just fell out of Auntie’s drama department. Ghost stories are about the past intruding on the present. It’s not entirely clear why, in 2005, the BBC suddenly decided to resurrect the Ghost Stories for Christmas series so long after its original run had ended – 27 years to be exact. However, it does seem a little more out of place. Whether it’s ... A Glitch in the Matrix explores the theory that we are living in a ... We’ve all had family gatherings that have gone slightly awry. Maybe I’m getting old yet I can’t help but think the spirit of these things is to not stray too far from ‘creepy’ and to keep well away from ‘terrifying’. 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The ghosts are patient and are filmed with that typical corner of the eye feel, though jump ship when exacting their final revenge on Haynes after months of maddening, psychological torture with a violent and slightly gory end.The claustrophobia of Barchester is replaced in the following year’s adaptation with vast expanses and a fear of never ending space becomes a motif in 1972’s A Warning To The Curious. ADAM SCOVELL is a music student specialising in film music. The second disc brings us to A Ghost Story for Christmas proper with the first two productions broadcast in 1971 and 1972. Generally adaptations of M.R. However his presence in the first of our two stories makes it distinctly different to the usual victims of James’ prose (who often resembling Black’s characteristics) and this gives 1971’s The Stalls of Barchester an icy but fresh feel. The wide open spaces of the British coastline have never seemed so empty and terrifying. This also gives it a sense of poignancy and it’s surprising a remake hasn’t been suggested to tie in with our apparent, never ending recession. The stories feature demons and ghosts, skeletons and spirits, but the original tales are all imaginatively up-ended by Aoko, and told from a contemporary, female perspective. Strange tale of Sir Roger Tichborne, a butcher or baronet? ADAM SCOVELL reviews BBC Ghost Stories: The Stalls of Barchester/A Warning to the Curious released by the BFI. Remember Me, BBC One, review: 'a non-scary ghost story' This ghost story is rather too settled to be scary and has too little Michael Palin, says Terry Ramsey (CONTAINS SPOILERS) Directed by Jonathan … Mind you, the box-set might be nice for Crimbo. The ghosts are as subtle as the humour which seems natural and unforced, especially when it appears that Haynes’ senior is living far longer than perhaps expected. Some of you might recall a time when the BBC gave us I, Claudius or the definitive dramatization of Tinker, Tailor, Soldier, Spy. Unluckily for Haynes though, the carvings on the stalls of his church have been cursed to avenge anyone who touches them with blood on their hands. The period drama is the adaptation of Henry James’ The Turn of the Screw. The second release of the BBC Christmas ghost stories finds the real birth of it as a staple of the wintery Christmas nights of the 1970s and showcases the first two of five serials by Lawrence Gordon Clark. It would be far more effective if we never saw William Ager (the last guardian of an Anglo-Saxon crown) as a living soul, let alone see him in close-up engaged in conversation. Although there is nothing wrong with that in principle, writer Neil Cross seems to have wanted to tell an entirely different tale. James short stories (there were 3 exceptions), these programmes showed what was possible with a limited budget and a great story. DVD Review: Ghost Stories – Classic adaptations from the BBC – Volumes 1 and 2 / Director(s): Jonathan Miller, Andy de Emmony, Lawrence Gordon Clark / Starring: Michael Hordern, John Hurt, Robert Hardy, Clive Swift, Peter Vaughan / Release date: 20th August Some of you might recall a time when the BBC gave us I, … Continued Still, if that’s your kind of thing and you can work your way around the self-inflicted problems of the plot, there is much to enjoy here. It’s well known that the BBC have a strong history of period dramas and Barchester is the perfect set up for costume and atmosphere. Most of them were adapted from the works of medieval scholar M R James, and drew their unsettling supernatural aura from the understated and academic tone of the writing. The Turn of the Screw (2009) BBC Review . Dr Black stays relatively in the background for a large part of this story yet the denouement of this tale is the suggestion of his demise too at the hands of the ghost as a repeat of the previous mis-seeing of a passenger allows the train station attendant to let someone in to Black’s compartment as he’s leaving. You can almost hear him arguing with the BBC about the great story he’s got only to be told that he’s doing Whistle and I’ll Come to You and that’s that. View from a Hill and Number 13 were produced by BBC in the 2000's in celebration of the classic 1970's Ghost Story for Christmas. Since the end of the 1960s, the BBC has made sporadic forays into the supernatural world of M R James, most notably in the Ghost Story for Christmas series that ran through the Seventies and has subsequently been revived for various one-off adaptations (the latest – and by far the worst – coming a few years ago courtesy of Mark Gatiss). Perhaps that’s just personal taste but if we think of the tradition going back to A Christmas Carol (debatable, I know), then we get creepy but we also get redemption. Although the whole series will be available before the year is out (all bar one of which were based on the stories of M. R. James) the first releases are Whistle and I Will Come to You (both the 1968 and 2010 versions on one disc) and The Stalls of Barchester (1971) together with A Warning to the Curious (1972). When not obsessively watching and writing about film, he can be found playing jazz in seedy clubs and making short films found at www.celluloidwickerman.com. The only fault however is that Gordon Clark shows perhaps a little too much of the physicality of Ager’s ghost. This is another common theme of both the stories and a typical Jamesian trope where objects result in haunting and the summoning of ghosts and demons. Building on the reasonable extras of the first disc, this second release spoils the viewer with some marvellous, spooky delights. However, A Warning for the Curious is quite possibly the pick of the bunch. If you’re wondering quite how these open spaces might be frightening then think of the hotel in The Shining (1980) and remember the BBC pulled the trick off first. CHRISTOPHER STEVENS: Denisa in Ghost Story: The Small Hand looked like the BBC star Claudia Winkleman from Hell with her heavy black eyeshadow and thick dark fringe. A list of Kermode and Mayo's Film Review episodes and clips related to "Ghost Stories (film)". Haynes’ ambition gets the better of him as it’s clear he’s paid off the maid to move a carpet rod from the stairs, resulting in Archdeacon Pulteney’s death, allowing Haynes to take charge. This version has lost the chilling sense of fear and the strange underlying sexuality of the Deborah Kerr version. You might also remember more costume dramas than you can wave a BAFTA at, or Tom Baker wearing a scarf in some popular children’s sci-fi programme or another. This review does contain spoilers! However, Jonathan Miller’s 1968 adaptation of Whistle and I Will Come to You (made for the BBC‘s Omnibus series) was both the catalyst as well as the blueprint for the series that followed so its inclusion is both expected and welcome. However, the variation to the story’s end is quite clever and goes some way to make up for the misstepped beginning. Dismiss. The opening of the program is a surprisingly violent affair but sets the tone for the sort of ghostly character being dealt with. Widely regarded as a classic of the genre, this fairly straight telling of James’s 1904 short story might come as a bit of a surprise to a modern audience. The Stalls Of Barchester is a story within a story. “The Christmas Ghost Story is a wonderful and vital TV tradition and one which has found its natural place on BBC4,” Gatiss said in a release. If you were lucky, you might have even got to watch them yourselves. Also, Alex Lawther should be praised for a performance that knocks it out of the park. Remember Me, BBC One, review: 'Michael Palin's memorable return' This new ghost story is proving distinctly hard to forget, says Benji Wilson (CONTAINS SPOILERS) Ghost Stories is a 2017 British horror film written and directed by Jeremy Dyson and Andy Nyman, based on their 2010 stage play of the same name. As much as I love period dramas, there are some that typically aren’t my “cup of tea.” But I decided to check this one out because I’m fond of an actor in the cast. Three ghost stories in a frame narrative that starts out slowly and what seems to be unnecessarily complicated. Despite the success of his original stories, many of James’s most ardent admirers will have first become aware of his unique style through the BBC’s A Ghost Story … It's a good cast, but he outshines them all. BBC Four presents a night of classic chilling stories. In a sense, it couldn’t be more low-key with a small cast and minimal dialogue. Apart from some interesting introductions to both stories by Gordon Clark, two re-tellings of the stories are present in the form of the BBC Ghost Stories at Christmas with Christopher Lee series. Ghost Stories (2017) cast and crew credits, including actors, actresses, directors, writers and more. If you're after some good jump scares and some nervous laughs, then it executes those beautifully. The series of short films, A Ghost Story For Christmas, became a Yuletide staple on BBC One in the 1970s. The Ringcroft Poltergeist, Scotland’s Most Extreme Haunting, Cold Christmas, Hertfordshire’s saddest haunted church, Gloucestershire: 13 Haunted Places to Visit, Avebury Stone Circles and their ancient mysteries. Including stories by John Wyndham, Dennis Wheatley, Stephen Gallagher, Edgar Allan Poe, Ramsey Campbell, Stephen Dunstone, William Ingram, Bram Stoker, Mary Shelley, Peter StrauB, Ray Bradbury, Graham Greene, Robert Bloch and Stephen Wyatt. In the final chase before Paxton’s untimely demise, Ager’s ghost seems far too physical to be truly unnerving though this is perhaps present to justify the ghost’s violent abilities shown moments later. Well the BFI is bringing them all out on DVD so it looks like we’re going to find out. > DVD Review: ‘Ghost Stories from the BBC’ During the 1970s, no Christmas television was complete without the BBC’s famous series A Ghost Story for Christmas . Didn't laugh once in two episodes. While it is highly effective as a ghost story that manages to scare the bejesus out of you at times, it’s also a desperately depressing tale. Of course, with a setting so similar to Whistle and I Will Come to You, the trick of using open spaces along beaches where distant figures can barely be made out is repeated but somehow, it doesn’t feel like a re-hashed idea. DVD Review: Ghost Stories – Classic Adaptations from the BBC / Cert: 12 / Directors: Luke Watson and Pier Wilkie / Screenplay: M. R. James adapted by Peter Harness and Justin Hopper / Starring: Mark Letheren, Pip Torrens, Greg Wise, Paul Freeman and David Burke / Released: Out Now Fancy a story about an academic … Continued It stars Nyman reprising his role from the play, as a man devoted to debunking fraudulent psychics, who is tasked with solving three unexplained paranormal events. With little in the way of visual trickery it would be tempting to describe this black and white production as spooky rather than scary but actually that wouldn’t do it justice. This is an improvement on the already solid series but it’s an adaptation that’s both faithful and timeless. While that may be to its detriment, it must be said that they also represent the only scares to be found in this particular episode and they are pretty well done. Simon Moore reviews Ghost Stories: Classic Adaptations from the BBC - Volume 1... Whistle and I’ll Come To You, 1968. The limited special effects do look a little creaky today but overall this production stands the test of time as a lesson in subtlety to modern film-makers. Peter Vaughan makes A Warning to the Curious that extra bit chillier, perhaps due to his quite frightening on screen presence (no doubt fuelled by his roles as the psychotic farmer in Straw Dogs and jail gangster in Porridge). Despite some flaws and the not-always-flattering passing of time, both these discs are well worth owning. Despite their festive intentions they’re worth a watch any time of year and I won’t hesitate to bagsy the rest of the series when the review copies turn up. It isn’t perfect; a somewhat unnecessary and contrived flash-back opening not featured in the source material undermines the idea of a mysterious figure seen only in the corner of the eye. The Christmas Ghost Story was a series of short films broadcast by the BBC between the years 1971 and 1978 and revived intermittently from 2005. But that brings up another problem with this version. But nostalgia and history should never be confused. James wasn’t big on redemption but you never come away from one of his stories with a sense of misery. **, Martin Mere in Lancashire is steeped in forklore, including tales of mermaids, says guest writer DEBORAH CONTESSA. Save my name, email, and website in this browser for the next time I comment. The first disc is actually a bit of a misnomer as A Ghost Story for Christmas actually only ran from 1971 to 1978 (with a revival in 2005 and 2006). It soon becomes clear that the crown is protected by the ghost of the William Ager who was in charge of looking after it and is the initial murderer we see. The setting looks like a visit to Downton Abbey with less than subtle appearances of the Downton "stars". Gatiss follows M.R. “A Merry Christmas to all of you at home. Spooky Isles is a website dedicated to horror & supernatural in the UK & Ireland, including ghost stories, horror films and haunted and mysterious places! The narrative switches between Black reading out Haynes’ diary and showing Haynes’ life itself as the ambitious but gradually haunted Archdeacon faces up to his demons. Black is no doubt a product of James’ own psyche; a fellow of academia surrounded by logical pomposity and a desire for knowledge above all else. Dr Black is cataloguing a university library’s books when he and the rather unhelpful librarian, come across a box of manuscript which recalls the haunting, revenge and madness of one Archdeacon Haynes played superbly by Robert Hardy. He has written for The Times and The Guardian, had films screened at Manchester Art Gallery, FACT and The Everyman Playhouse, and runs the twice Blog North Awards nominated website, Celluloid Wicker Man. Ghosts premieres on BBC One TONIGHT – but is the creepy new series REALLY based on a true story and who’s in the cast? Again, the 2010 re-make is not strictly ‘canon’ but its inclusion is not unexpected. Ghost Story has succeeded in leaving nothing to the imagination. If you’ve got a turkey to cook then this is probably a good thing to be watching on your Christmas Eve. It’s still quite satisfying and atmospheric but you’ll have no problem getting a good night’s sleep afterwards. An unsettling collection of stories from the long-running BBC Radio 4 horror series. Were these annual supernatural outings really as good as we remember? A Ghost Story is a deliberate abstraction, and as such, it’s easy to appreciate its conceptual audacity and its visual beauty while still feeling remote from its overt sentimentality. Directed by Lawrence Gordon Clark. Audience Reviews for Ghosts: Season 1 Dec 17, 2020 Every single one of the characters is annoying. Even the found whistle of the original story is replaced by a ring in a move that even manages to make the title nonsensical. Unfortunately, it doesn’t quite fit and we’re left with something that doesn’t actually make a great deal of sense. The character is again an unusual choice of victim for James with Mr Paxton clearly out to hunt for the lost crown of East Anglia due to losing his job, solidified further by showing a paper with “3 Million Unemployed” as its headline. Though Matt Smith’s role as a young Palpatine ... DVD Review: Ghost Stories - Classic adaptations from the BBC - Volumes 1 and 2 / Director(s): Jonathan Miller, Andy de Emmony, Lawrence Gordon Clark / Starring: Michael Hordern, John Hurt, Robert Hardy, Clive Swift, Peter Vaughan / Release date: 20th August. The Stalls Of Barchester shows many obvious reasons why the BBC grasped Gordon Clark’s idea of an annual ghost story at Christmas. Based on stories by M.R.James, these productions are at least equal to the very best of the original series with their tangible sense … Most of the hauntings are extremely effective, taking note of Miller’s 1968 Whistle And I’ll Come To You by staging the majority of them in plain daylight on the beaches of Norfolk. A group of ghosts prepare to … ** Subscribe and we'll update you when we publish new articles about ghosts, horror and dark history! And is the Japanese-horror influence of the climax also a bit too sharp for a Christmas tale? Ghost Stories is a barnstormer of an entertainment, a fairground ride with dodgy brakes. ADAM SCOVELL reviews BBC Ghost Stories: The Stalls of Barchester/A Warning to the Curious released by the BFI This review contains spoilers. The mixture of tension and scares is just about perfect and ultimately this is about as good a Christmas ghost story as you’re going to get. As Michael Hordern’s dogmatically rational protagonist has his beliefs questioned to breaking point, there is real horror here; Hordern’s portrayal of a man at his wit’s end in the denouement is a genuinely unsettling experience. The transfers are, as with all BFI releases, top quality and both discs come with extras ranging from interviews with those involved to a couple of Christopher Lee’s ‘talking head’ style readings of M. R. James broadcast by the BBC in 2000 on the second disc.

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