banjo headstock identification

30, 1909. Ebony Fretboards were generally thicker than other builders. 428 Geared pegs, reinforced neck & high nut, MYNNN or MYNNNN Month = 1-9 with 3 or 4-digit production number, MMYNNN or MMYNNNN Month =10,11,12 with 3 or 4-digit production number, # 41122 would have been made April 1971, #122, #121131 could be made in either December 1971, #131 or January 1972, #1131, #221 could have been made around 1907 or in the early 1940s, #2121 could have been made around 1913 or 1914, the late 1940s or February 1971, #21, #31121 could have been made in the early 1931 or 1932, 1960 or March 1971, #121. There is a Kay company logo on the headstock but absolutely no other identifying marks. peghead shape. Headstocks of US models also use the Gibson headstock shape. These appear to be the easiest to find and quite reasonable to buy. For example: Gretsch stopped production of Bacon and B&D banjos. The Lyon & Healy peghead shape used on most of The Maurer Company records have been lost. 1916 into 1921: the pin to the bridge was dropped. The following versions evolved quickly to 14 frets clear of the body. These shoes are shown in an 1890s Washburn banjo catalog, on low end models with . The Advanced Jumbo has been described by some as the finest no compromises most powerful flat-top guitar Gibson ever designed and built. The last of the Mark Series was built in 1979. The swing of a lathe is measured as the total diameter of a finished turned piece, such as a wood bowl. The somewhat radical headstock shape was discontinued at Gibson with the Mark Series but appears to have been an influence on the young Paul Reed Smith who later used a similar shape for his electric instruments. The necks were 1-piece mahogany V shape with a Brazilian rosewood fretboard at 12 radius. The top and back bindings were black plastic with red line highlights. If1970s, would be Japanese, more likely. The only available finish was sunburst until 1954. Body designation Style designation, Serial number. Information gleamed from the Mandolin Cafs website over the years. It had a double ring of purfling around the soundhole, pearl dots on the fretboard, dark stained birch back and sides and The Gibson stamped on tailpiece cover. banjos, not surprising since they bought out the Buckbee factory in 1898. The 1975 price was $879. Semi-hollow guitar serial numbers are found inside the 'top' F-hole on a label. Deering Gabriella 5-string banjo headstock. $80 in depression era dollars was beyond the means of most people of the time but 300+/- were built during its 3 year production run. The following site helps identify the labels with the date and location of production: All Gurian Guitars have serial numbers stamped on the neck block in characters visible through the soundhole. Tstyle of tuner lasts into early 1943 (FON 2221 last documented series with this tuner style), Late 1942 poplar neck blocks (Late 1942 FON 2119 with FON 2143 being the last documented series with mahogany neck block.). The second type of headstock, as you can tell by its name, is the angled or tilted-back headstock. I am the third owner, the previous owner researched it and, based on the serial number, headstock design and inlays declares it to be a 1976 Gibson RB 250 MASTERTONE model with the 20 hole metal tone ring. 1975 $899 The first catalog appearance of the L-5S was in the 1975 Gibson Solid Body catalog. MK-53 models were maple back & sides, rosewood fingerboards with dot inlays & nickel hardware. It was initially called the De Luxe Jumbo for the few versions that were delivered before the model went into production. When he passed, my grandmother bought it for me from his brother who was attempting to liquify his collection. CUSTOMER SERVICE. Its not clear how it works during this period. Knob changes usually following other Gibson electrics. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. During 1942 two new models were introduced to the Gibson line-up to replace the J-35 and J-55. The neck was a broad round profile single piece mahogany with a bound coffewood fretboard and dot markers. The early models had shallow neck sets and low bridges that increased in angle around 1908 with taller bridges. There were 5226 made. The standard "Huber' shape, the popular "Double Cut" shape or the "Fiddle Cut" shape. These bridges had movable saddles up to about 1917 when they changed to a one-piece compensating bridge design through early 1921. The back and sides were still mahogany but the Southerner Jumbo had a dark wooden stripe separating the 2 back pieces. CLB, Classic guitar of Brazilian rosewood, gold tuners. The pot fairly screams Iida to me. Larrivee Serial Numbers (approximate). Martin Flat Top Guitar Body Sizes and Designations: The body size designation is stamped on the neck block starting in October 1930. World War II changed many aspects of the guitar world. Width at nut 1 11/16, scale 24 3/4. Numerous articles in Vintage Guitar Magazine over the years. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. You have your choice of 3 different peghead shapes. department to department had 40 cubbyholes. See the notes below. purchase these instruments and put their own names on them, but in many other Materials and methods of production were reviewed and revised. MB -- mandolin banjo. The fretboard was bound but without extension and The Gibson was stamped into the tailpiece cover. It was during the years of 1977 through 1986 that most of the high-end lines at Gibson were discontinued: The ES-350T, L-5S and the Mark Series among them. The LG-Series is 2 narrower than the J-Series. It had chrome plated standard friction pegs, rosewood finished neck and headstock with matchin resonator. The best way to date Larrive instruments is by the instrument labels. Gibson style one piece flange, probably zinc, also Gibson style flange brackets, 4 resonator screws. The headstock had a black wood face veneer. The binding on the top is b/w. The flood of returning soldiers with a broader world-view brought new musical tastes and new hopes for the future. Between 1974 and 1984 production of Gibson guitars was slowly being shifted from Kalamazoo MI to Nashville TN. It was the innovations of the Loar period: 1921 through 1925 that saw the introduction of the truss rod, adjustable bridges, bracing adjustments, thinning and grading of the tops and numerous other refinements to create the standards that are still used today. Some FONs for 1942 include 7116-7119, 7434, 7705, 7721, 907, 910, 923, 928, 2004-2006, 2059, 2098, 2110, 2119. Inlays and bindings are remarkably consistent through the years. Factory numbers (when the exist) appear in pencil inside on the block where the neck meets the body. Cherry Sunburst is still available. USA produced Epiphones of this era bear standard Gibson serialization and include the Made in USA stamp on the back of the headstock. During the period of 1902 to approximately 1909 the mandolins sported tailpiece covers with a curly top and internal white labels with an image of Orville Gibson holding a lyre mandolin. Only about a dozen were made. Saga Bella Voce 70/80. The 2nd delivery to Ray Whitley was the more refined 14 fret SJ that is so well photo-dicumented. The sunburst finish was generally $30 less than natural finish. Jun 24, 2020 - The Art of Banjo Headstocks. Late 1960's Gibson Logo around 1969 with no dot over the "i". I would sure like to hear what it sounds like. There are also examples of A-2Zs without the Z on the lable but still sporting the black perfling line. They were the J-45 and the Southerner Jumbo. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). The original Factory Order Numbers (FON) appear to show the first De Luxe Jumbos were delivered bewteen March and June of 1938 to Joe Wolverton, Ray Whitley and Gene Autry. Terms of Use | Privacy Policy | Copyright 2023 Banjo Hangout. Some rectangular examples, Headstock appointments: Decal Only a Gibson is Good Enough banner. Thinner cog gears with no bevel on the edge of the cogs. Higher grade models (such as the Super 400, L-5, J-200, etc.) Some banjo . Carl and August Larson built instruments between 1900 and 1944. Gretsch appears to have started a new numbering system at about that time. AMF ceased production of LoPrinzi guitars. The name evolved from De Luxe Jumbo to Super Jumbo in 1939, and then to the Super Jumbo 200 (reflecting the price at the time, the case would be $28 extra). MK-99 models were handcrafted and signed by Richard Schneider. Weve seen some serial number lists that are as much as 8 years out-of-sync with this list. Laminated maple back and sides is discontinued (FON batch 2828 used maple back and sides). Ironically the first blond J-45s were actually built in July of 1942 (Called the J-45N for Natural) and the actual number of these shipped is not known for sure. The final production versions had a double-braced red spruce top and rosewood back and sides with a sunburst finish. Mid 1950s: the pickguard changed from the teardrop to the larger undulating shape like the pre-war J-35s. banjo headstock identification new harrisonburg high school good friday agreement, brexit June 29, 2022 fabletics madelaine petsch 2021 0 when is property considered abandoned after a divorce If you want to use any of this information: Prairie State instruments have the patented rod and/or tube reinforcing, occasionally found on other Larson built guitars. Acoustic guitars are punched inside the soundhole on a sticker behind the strings. Pearl dots on fretboard. Sometimes (rarely) the labels are easy to read: the model and serial numbers hand-printed in ink and sometimes the information was written in pencil and is now barely legible. For a period of time, this was the top of the line. of their later banjos had elite tailpieces, Orpheum-like hardware, and long, It was the heart of the depression and the instruments cost $60 without a case. Though it has gone through a number of refinements over the years, the basic design has not changed since. Features: Carved curly maple body, with ornate multilayer binding, laminated maple neck, ebony fingerboard with abalone block inlays, gold-plated hardware throughout, two gold plated pickups with separate volume and tone, three-way selector switch. Since that day in 1989, Deering has breathed new life into the Vega name, blending over a century of tradition with Deering's banjo building expertise, to create a range of heritage rich open back and longneck banjos that are as integral to the modern folk . This was quickly reduced to avoid model confusion between the J-45s and the more expensive Southerner Jumbos. Late 1930s through 1942: ? adjustment wheels 2 feet and extensions on top of the base for the wheels. Example: U8034853 U = Unsung, 8 = 1998, 03 = March, 4853 = manufacturing number. The electronics cover on the back was matching solid figured maple. It was available in red, black or two-tone sunburst finish, fleur-de-lis under The Gibson; Handel inlaid tuner buttons prior to 1916 (WWI) with a dotted + in each button. To complicate matters, the Larson brothers appear to have used different numbering techniques for different brands that they supplied. Each type of banjo head has a unique contribution to your banjo's tone. In late 1 the use of factory order numbers was discontinued. The exceptions were in 1979/1980 when the very fine Flying VII and active Les Paul Artist models were available; both were between $50 and $100 more, and were deleted almost as quickly as they dbuted. Considering that Gibson was using a double X bracing for most of its other flat top guitars during that period, these instruments, with their modified fan bracing, stand out as some of the better sounding Gibsons of the time. Some rectangular examples, black bridge pins (2 pearl dots on rectangle bridge), Headstock appointments: gold decal: Only a Gibson is Good Enough banner. Style Designations (There are many exceptions to the following). 1974 $895 This was the best sales year for the L-5S shipping 555 instruments. They are very pricy at over $20.00 each, but worth it if you want . (Numerical ID) Example: Serial number 0191456 = Harmony Standard Series guitar built in 2019. Manchester University, Instruction * ConcertsJams * More The passage of time confuses matters even further: They made some non-SilverBell models that had been developed in the 1930s that bore the B&D label like the Seniorita, and some later Gretsch SilverBells that carried only the Bacon label. The 1934 was single bound, front and back with dot markers on the rosewood fretboard and a horizontal script logo inlay on the headstock. bands even in the early 1890s. It is not clear how Gibson decided to set their nut widths and neck thicknesses. Silkscreen logos - Low end models. The Aria 921C was a good quality 5-string banjo made in the early 1970s. Bound rosewood fingerboard with small fret wire, clamshell tail piece with Morris inscribed. The electric version included a P-90 pickup at the end of the soundboard like the later versions of the J-160E. So far as I can find Gibson appears to have only made "Stewart" instruments for a couple of years in the early 1930s. The banjo's fingerboard is where the magic happens. expressed on the sides and back of the 1934 versions. Why not post a little tune with it. Generally harp guitars, L.H. 156137I know this is a mandolin forum, but the admins suggested I start here. The first number of the sequence indicates the decade of production, followed by the three digit day of the year, and finally the year. Due to the plain marks on the bracing, it is believed that every top was tuned by the same Gibson employee. This was expanded in 1935 to about 1/3 of the top area. Depending on the selected source, there is disagreement about these numbers. The 1975 price was $1,999.

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